Download Tekton, DK Ching’s Architectural Hand-Lettering Font

According to Matthew Frederick, good architectural lettering adheres to several principles and techniques, that is to emphasize the beginning and end of all strokes, and overlap them slightly where they meet.
If you happened to have a really shitty handwriting, just like me, there are several ‘hand lettering like ‘ standard computer fonts that comes pre-installed in your pirated version of Windows XP and Vista, Apple Mac Sucks. These fonts are City Blueprint and Stylus BT (one of my favorites)
How to piss me off? By using ‘Tempus San ITC’ font, they are ugly, horrible and please for the sake of mankind, delete it.
Stylus BT is a pretty nice looking architectural hand lettering font but still not quite what I had in mind, until I discovered the Tekton fonts [Download Tekton Font ] by DK Ching last year. The Tekton is based on the hand lettering of West Coast architect Frank Ching, who wrote out the text for his books.

In 1972, a former classmate working at Ohio University needed someone to teach drawing, so he contacted Ching. As part of preparing lectures in architectural graphics, Ching hand-drew and hand-lettered 400 pages of lecture notes. They came to the attention of Forrest Wilson, chairman of the School of Architecture, who showed them to his publisher, Van Nostrand Reinhard, and the rest is history. ( University Week )
His sketches reminds me of the Japanese’s mad poet:
“From the age of six I had a mania for drawing the shapes of things. When I was fifty I had published a universe of designs, but all I have done before the the age of seventy is not worth bothering with. At seventy five I’ll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I shall have cut my way deeply into the mystery of life itself. At a hundred I shall be a marvelous artist. At a hundred and ten, everything I do – be it but a line or a dot – will be alive.” – Hokusai (1760-1849)
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Francis D.K. Ching’s Sketches From Japan Book

Sketches from Japan is the charming record of an eminent architect’s visit to Tokyo and Kyoto. Each day Francis Ching would walk downtown, past temples and through residential districts, recording his visual impressions with a fine pen. He delights in the juxtapositions of old and new, hard-edged and organic, plain and richly textured, that are nowhere more striking than in a modern Japanese city.
His freehand line drawings capture the essence of springtime Japan–more successfully than photographs, perhaps, through the isolation of elements and elimination of details inherent in the sketching process.
The dark wood of an ancient gateway is emphasized by drawing the surrounding trees only in profile; the shaggy outline of a thatch roof suggests its straw surface as clearly as a completed study. The artist places each drawing in context with a few articulate sentences; he includes some gentle lessons on drawing and geometry, but the text is not didactic. The intimacy of many of the scenes–small interiors, architectural details, people strolling down narrow streets–is enhanced by the informality of the pen-and-ink medium.
The monochromatic line treatment is in keeping with traditional Japanese sumi-ink drawings. The book also continues a tradition set by 18th-century haiku poets and artists such as Buson and Taiga, who recorded their journeys in combination of diary and sketchbook. Sketches from Japan is a small-scale gem, and we can learn as much from it as from many more elaborate photographic studies and coffee-table books. –John Stevenson
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