Peter Zumthor [ Wikipedia ] is a Swiss architect whose work is frequently described as uncompromising and minimalist. He works from the small town of Haldenstein in Switzerland – likes being outside the big centres of the world, as it frees him of having to consider the opinions of his fellow colleagues: “If you work like an artist, you need your own separate space.” He does, however, also work well in the “anonymous sound” of a city, where it is also possible to find calm in “a protective ocean of sound.”
Among his best-known projects are the Kunsthaus Bregenz in Austria, the thermal baths in Vals in Switzerland, the Swiss Pavilion for Expo 2000 in Hannover (an all-timber structure intended to be recycled after the event) and the Kolumba Diocesan Museum in Cologne.
I think the chance of finding beauty is higher if you don’t work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers.
If you look at the Earth without architecture, it’s sometimes a little bit unpleasant. So there is this basic human need to do shelter in the broadest sense of the word, whether it’s a movie theater or a simple log cabin in the mountains.
I work a little bit like a sculptor. When I start, my first idea for a building is with the material. I believe architecture is about that. It’s not about paper, it’s not about forms. It’s about space and material.